Date of publication: 2017-08-31 23:38
Kurring 8767 s voice-over and Jay 8767 s commentary prepare the audience for a complex narrative structure. This trailer arguably has three storytellers: Paul Thomas Anderson (the writer and director), Jay (who plays a character in the movie but whose narrator is not that person, and whose narrator is distinct from Anderson), and Kurring (a character). (The screen text is attributable to Anderson, and although the trailer cards aren 8767 t in the movie, the film does include chapter titles that comment on what 8767 s happening the temperature and forecast used as foreshadowing and metaphor for the action.)
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If you get stuck trying to make your argument, or you 8767 re struggling to reach the required word count, try focusing on the question, 8775 How? 8776 For example:
Besides beginning with a memorable image of Cartland, the essay invites readers to consider their own fetishes and peccadilloes about favorite objects. You want the reader here to nod yes, agree that people are odd, and move forward into the piece.
Jay intones, 8775 There is the story of a boy genius. , 8776 and the theme of storytelling, suggested in the minute-long version, is made explicit.
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It will be an eventful day. One man will die. His wife will overdose. The man 8767 s son will be unmasked as a fraud, on national television. A boy will embarrass himself on a popular game show. That show 8767 s host collapses spectacularly, also on live television. His wife will leave him to comfort their daughter. The daughter will try to sabotage a potential romance with the cop, who will be full of shame on their date for having lost his gun. And a former boy genius will try to burgle the office of his former employer, only to be steered right by the cop.
Magnolia avoids this trap first by putting its characters in full-bore breakdown mode. They still speak around their meanings, but they are so desperate and in such pain that they are naked and unable to cover themselves.
A movie should not be judged by its trailer, for sure. But there are rare occasions when thousands of feet of film reduced to a minute or a few of them should be considered carefully. Magnolia 8767 s two theatrical trailers the one-minute teaser and the two-minute-95-second treatment distill Anderson 8767 s three hours amazingly well.
Shaman in the Sky: The Evolutionary Message of the Solar Apex. Considers the significance of the constellation of Hercules, location of the Solar Apex, in relation to the role of sacred plants in human evolution.
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So, despite the director 8767 s undoubted technical ability, his budget and the top-notch acting at his disposal, his film reveals that he has nothing to say that artistically he is an uninspired mediocrity and, if he has to make more films, he would be well advised to learn how brevity can sometimes offset lack of creative talent.
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